Thursday, June 27, 2019


Hey-o! I'm still here! I promise! Just been a busy stretch for me. But that means I have cool music piling up I need to tell you about soon, huh? I'll leave out any personal update for now, but things are going well.

Let's see, I don't want to leave you empty handed, so please enjoy the following. Everyone should be as happy as Bill Hader is at the 1:42 mark...

Tuesday, June 18, 2019

Hollywood (Vampies) Heroes.

Yes, I am a David Bowie superfan, but that’s not why I’m sharing this. It’s a perfectly serviceable cover of “Heroes.” Which coming from a band including all the big name musicians in Hollywood Vampires ain’t all that surprising. No, I’m sharing it to ask one and only one question.

What is up with Johnny Depp’s hair?

Thursday, June 13, 2019

Trent's "On A Roll!"

You had to see this coming.

Ashley O (a.k.a., duh, Miley Cyrus) proves just how pop Trent Reznor really is. And I don't mean that as some snide aside. The fact Reznor writes such great hooks that they're so translatable into different musical styles is proof of his amazing songwriting abilities!

Also, check out Annie Zaleski's recent piece musing about Reznor's not-so-unlikely pop moment in 2019.

Remember Google Buzz?

Check out the animated chart tracking the growth (and shrinkage) of various social networks over the since ye olde Internet days of 2003. I had kinda forgotten about Google Buzz—even though old posts and conversations from those days still pop up in searches within my Gmail.

Oh well.

[via The Next Web]

Wednesday, June 12, 2019

Cover me in Bliss.

I’m passing up the chance to see Charly Bliss later this week—believe me, you don’t know how painful the decision was, but it’s only because The Breeders are playing the same night and I agreed to cover their show a while ago.* Dagnabbit, why is it always true that when I am looking for something to do there’s nothing going on, but when there IS something I want to do, there is so much other awesome stuff going on at the same time?! It ain’t fair!

Anyway, Charly Bliss released a new video today so watch it along with me, fall in love with it, and then lament the fact that I’m missing them this time around.** (But not over-lamenting, I am getting a chance to see The Breeders, fer chrissakes.)

*YOU can still see Charly Bliss in Chicago though! Tickets for their Lincoln Hall show Saturday night are still available. They are SO good live!

**Speaking of Charly Bliss videos, they’ve been crushing it with content promotion-wise for this latest album. And in most other bands’ hands this would be annoying, but they are so vibrant and creative I’m left jaw agape at the sheer output of excellent stuff instead of being agog with annoyance with so much PR. Case in point? See below.

Tuesday, June 11, 2019

Kerchief proves they're no 'Fluke.'

Photo by Liesa Cole

Chattanooga's Kerchief is built around the vision of core songwriter and guitarist Britt Hill. Kerchief's debut Machines And Animals is a pleasant listen, but feels a tad faltering, as if the group is still trying to figure out what direction they wanted to go in. Smooth pop? Prog? Angular blasts of old skool indie? They were all fine explorations, but it felt less like a statement than an ongoing exploration.

On the band's sophomore effort Fluke, Hill replaced the rotating cast of touring musicians employed previously with the full-time rhythm section of siblings Tommy and Trevor Nicholson. The trio took the time to work on the new material together, so Fluke sounds like anything else other than its name might employ. The songs are musically more muscular and focused, and Hill's lyrical melodies are more effectively refined. And I'm pleased to say that the band follows the current trend of smarter artists releasing albums that are only as long as they need to be—in this case they kick out eight songs in 30 minutes, not wasting a single minute on a flawed exploration or filler material.

There's a glint glam sprinkled into Fluke, but it's primarily an exercise in honing focus to streamline the hooks and pack each tune with as potent a punch as each can carry. That is to say when it's time to pull back, Kerchief knows it. And when it's time to lean in, Kerchief really knows it.

Kerchief has no current tour dates, so you'll just have to content yourself with the new album (below) until they decide to leave Tennessee for the wide open road.

Monday, June 10, 2019

Weekend report, since there is actually something to report!

I decided it was time to break out of the house for once and actually made the solo trek over to a street festival to check out a few bands. After a month of rarely venturing out I decided it was time! And it was a lovely time. It was far enough away that I got some some quality listening and reading in on the CTA. But it was also far enough away that by the time I got home I realized I was pressed for time and I'd have to Uber to The Empty Bottle to take in another band I'd been wanting to check out.
So I grabbed a bite and then walked down to the karaoke bar at the end of my block to grab smokes and wait for my ride. The bartender looked at me in slight shock and admitted they thought I had moved since it had been so long since I had been by! I guess that's a good sign that I've been picking healthier ways to spend my free time?

I arrived at The Bottle a bit later and suddenly remembered how brutal the beginning of the summer can be for club shows. During the weekend so many folks are fest-ing or BBQ-ing that but the time the evening rolls around, most are less interested in catching a few bands, even if the headliners, Acquaintances, are a bit of a supergroup made up of some pretty high profile musicians. It didn't detract from the show—all three bands on the bill did great—but I did find myself wishing more people had been there to see the show.

Sunday night was the opposite, displaying how larger touring acts can still pull 'em in on the final night of the weekend. It also didn't hurt that said band, Superchunk, is always an absolute killer live. It put a big ol' smile on my face, that's for sure. More on that show tomorrow.

And here we are on a Monday morning, work week stretching ahead, and I'm a little more tired than usual for the beginning of the week but I'm also in a great mood after so much good music (and a fair amount of sunshine). It was just what the doctor ordered.

Friday, June 07, 2019

Sleater-Kinney + St. Vincent = YES.

I love Sleater-Kinney when they're creating walls of sound (The Woods was a masterpiece) but holy heck did the news that St. Vincent was producing their new album got me really excited. And now that I've heard the first taste of this sure-to-be-legendary team-up, I can confirm that my (and your) excitement was incredibly well founded. "Hurry On Home" introduces a somewhat different sound for S-K, without discarding any of the urgency that makes their best work so great.

Thursday, June 06, 2019

The Claim emerge from an obscure (to me, maybe not to you) past with an album focused on the future.

Photo by Ruth Bowker

Usually when something shows up in my inbox saying this is the first release from a band in almost 30 years, and I’ve never heard of the group, my expectations are usually pretty low. Most of the time it’s a sleepy or uninspired retread of a dated sound perpetrated by a little known (to me) group of folks who just can’t let the past go. Sorry, I know that sounds harsh, but that’s often the way it is. However I am all for groups willing to make another go at it, even decades later, so I give everything a chance.*

The Claim, based in Kent, only put out two albums in the ‘80s, and their last single was released in 1992. However, their new album, The New Industrial Ballads, sounds like it could have come out and stood atop the Britpop revolution that followed shortly after they went on their long hiatus.

In other words they completely crushed any and all fears I might've had this might be some band past their prime mired in sentimentality. The music on the new album is beautifully constructed and works wonderfully as a counterpoint to the lyrical approach that skips between the political and the personal.

Nothing in their press release really explains why the group came back together, however they did recently release their 1988 album Boomy Tella, so perhaps that reignited the spark? Whatever the reason I'm glad they did reunite to create this surprising little gem of a disc in 2019. Listen below and you'll see what I'm talking about.

It's worth noting, and this is a post I've had in the works for a while, that we are currently in a good era for dormant bands to return and create really vibrant work. It seems many are now viewing that task as a chance to build upon their past instead of wallowing in familiarity worn smooth by too much glossy polish as a stand-in for songwriting.**

**I'm not knocking well-crafted music expertly recorded in a studio. I'm knocking music that uses studio production as a crutch to hide lackluster writing in the first place.

Wednesday, June 05, 2019

Almond looks, that chill divine.

Richard Lowenstein directed just about every INXS video you are familiar with (I think he actually handled every one between 1984 and 1993, but please correct me if I'm wrong) as well as 2 Max Q videos (Michael Hutchence's side project with Ollie Olsen). So it makes sense that he'd be behind the new documentary focused on Hutchence's life. The first trailer was released today ahead of the film's July 4 release, though I haven't a clue where it's playing in the States, if at all. It may be another instance where I'll have to wait for forever before it comes out digitally or something. Boo to that.

Tuesday, June 04, 2019

Lizzy Farrall amps up the pop without sacrificing the rock.

Lizzy Farrall may have grown up in "a rural village in North Wales," but there is nothing remote or pastoral about her sound. On the Barbados EP, Farrall is swinging for the pop bleachers, without losing the rock and/or roll heart that beats in the midst of her music and keeps things from getting too glittery. Even the subtle vocal effects in a pre-chorus of the title track—a move that might mask other singers' transitions with technical pomp—serve as a subtle production touch that helps set up the more effusive and glorious aspects of the song's chorus. It's not masking a delinquency; it's serving the tune, straddling artifice and authenticity. That may sound grandiose, but it's actually just the effect of an artist taking control and care in their song craft.

All this sounds awfully highfalutin, and maybe I'm attempting a verbal back-bend to justify the sweetness at the core of her music without discounting the careful craft at play that balances the sweet with the sour (and in this case the sour is lyrical reality and authentic presentation—not an actual puckering of the ear canals).

Farrall is on tour right now and hits Chicago this weekend. It's an early show, so if you're reading this you're probably not part of the usual 17+ crowd 7 p.m. doors draw, but if that is the case I urge you to step outside your comfort zone and check Farrall out. The best thing that could happen is you walk away a fan, and the worst? You'll be out early enough to still grab drinks with friends or check out another gig elsewhere in town.

UPDATE: Farrall is no longer on the bill. I'll let you know if I hear of a rescheduled date for her.

Monday, June 03, 2019

Rise and shine!

Hey ya’ll, it’s the first Monday in June! Gotcher summer plans all in place? Have you already been living it up and enjoying all this awesome weather?!

Yeah, neither have I.

I swear and I promise I fully intended to hit up my first street festival of the season—bands I really like were playing every day this weekend at Do Division—but in the end I opted for the gym, walks around my neighborhood, and Good Omens.

I know. I’m lame.

A friend also came over to pick up some items they left at my house, and I actually did make it out to my nephews’ bowling birthday party, so it’s not like I was a total hermit. I just couldn’t get up the motivation to dig into something as meaty as huge public gatherings.

I'll tell you this—I think Pickle the Kitten is starting to look at me funny for spending too much time at home. I mean, we share the couch but I know she prefers to treat that piece of furniture as her personal giant cat pillow. She tolerates me and all, but I know she's just counting down the minutes until I have to either leave for gym or my freelance gig.*

Oh hey! My birthday is coming up! And we're going on the second year in a row where I could not care less. Well, I do care to the extent that my age ticks up yet another digit, thereby making me one year less attractive to potential partners. But what can you do? I ain't gonna lie about my age and I ain't getting younger. At least (fingers crossed) I still don't completely look my age. And since I've begun healthier eating and activities a few of the things I had been worrying about on the aging front have actually started to reverse. So it's never too late to make improvements and see some results!

I'm gonna make that last sentence into a shareable piece of content with a sunrise or something behind the copy.**

I was actually going to write about a musical artists I've really been enjoying ahead of their Chicago appearance later this week, but as you can see I distracted myself before I could even get to that and went off on a tangent. So, tomorrow. Tomorrow I'll write about this person. Hey, it's something to look forward to!***

She still meets me at the door every time I come home, and is pretty vocal in her greetings (even when she has plenty of food!) so I suspect her occasional side-eye re my taking up couch real estate may not be 100% genuine, and maybe a little bit of attitudinal playacting.

**No, I'm not. Though as an interesting aside I have actually begun to enjoy at least a few of the motivational bromides that clog Instagram and Facebook from a number of friends and online acquaintances. I think it's a sign of my decreasing pessimism and depression that I am actually finding some of these, um, motivational.

***One other thing; now that I'm getting a solid 8-9 hours of sleep every night, and am up early for the gym I am not minding at all the fact that the sun is bathing my bedroom in light first thing in the morning. Bring it!

Friday, May 31, 2019

25 years ago Beastie Boys told me and you and Ma Bell they had the 'Ill Communication.'

This is another in a continuing series of "JESUS CHRIST I'M GETTING SO OLD' posts. The one bright side to these posts is hearing all my friends echo the same refrain. The funny thing about getting old is I still, in many ways, feel like the kid that first heard Beastie Boys' Ill Communication the day it came out in 1994. If I remember correctly I ran straight to Appletree Records when they opened (midnight sales seem to have fizzled out by this time period for some reason) and played the album non-stop.

I don't remember, but I probably played it at The Gallery that weekend (it cam out on a Tuesday but I usually didn't DJ until Fridays by that point).

Anyway, enjoy the short documentary above and pull the album out for a celebratory listen, if yu haven't already.

Thursday, May 30, 2019

Just because your past haunts you doesn't mean you need to keep living in it, right?

I think I've looked at this cursor blink a couple hundred times a I sit here in the early morning light trying to figure out what I want to say as a cat's light snores make their way through the doorway behind me.

I've spent some serious time eradicating the unhealthy tendencies from my life, and I've mentioned them here before—daily workouts, 7-8 hours of sleep (unheard of in the past!), knocking out 99.99% of any alcohol consumption, a return to reading books instead of scrolling through my phone in those down moments, and so on.

So I should feel fabulous, right?

Well, physically, yes. I let myself go over the last year and a half and it feels incredibly good to get back into shape. I should hit my summer weight, oh, halfway through the summer—but at least I'll get there. And that makes me happy. But body is just a beginning, no?

Yesterday stirred up a lot of emotions and memories and things I thought no longer affected me, but obviously do. A year ago I was unemployed and used the day as an excuse to get plastered and feel sorry for myself. What a difference a year makes! This time around I just went about my business as best I could and instead dealt with every emotion and memory as they came along, trying to learn from them and put them to rest. Just because your past haunts you doesn't mean you need to keep living in it, right?

Huh, I just realized its been two weeks since I left the house to do anything social. In that time I've just worked, caught up on TV, read, and gone to sleep earlier and earlier. (That last bit might seem odd, but after averaging 2-3 hours of sleep for months it's actually a positive sign, to me.)

Sorry, this is rambling. And that cat just stopped snoring and got off her stool, so it's clearly time to scratch her behind her ears just the way she likes as she enjoys her breakfast. It's a good moment to get lost in.

I'll figure all this other stuff out later.

Tuesday, May 28, 2019

The Ritualists transport you to a world surging with dark waves both dramatic and familiar.

Photo by Sam Keeler

The Ritualists mixes early Cult with early Suede. At least that's what I'm hearing in the first couple of seconds I started testing out. On their new album Painted People, out August 2, the band sounds like an industrial kitchen mixer of glam, hard rock, and melodramatic pop influences. Listen to the album's first single "Ice Flower" below and tell me I'm wrong.

But that's lazy of me, no? The honest fact is that this album appeared in my inbox just this afternoon, and as usual I started to play a few seconds of a few songs in order to properly label it for eventual upload to Ye Olde tankPHONE once I got home this evening.* Only a funny thing happened, and I found that instead of hitting fast forward or "NEXT!" I settled in and listened to the whole thing right away.

Why did this happen? It's not because the album is amazingly groundbreaking or anything like that. I think it had more to do with how alien it sounded. I mean, the tropes are familiar, but its been so long since I've heard much of a band's machinations that could easily feel arch come off as sincere. Perhaps that's the band's talent? For all I know, front-person Christian Dryden and his very band of musicians could be total scene poseurs. If that's the case, they know their scene better than any faker, and come awfully close to sounding sincere. So if it's a pose, it's an incredibly well struck one.

In the band's latest press release Dryden speaks of "being inspired by larger-than-life characters such as David Bowie, Simon Le Bon, Bryan Ferry and Marc Bolan" and Painted People certainly channels that inspiration proudly and openly.** The Ritualists takes these touchstones and cast them into a crystalline pond, subsequently skimming its surface for a collection of glistening songs that actually feel like the band means what they're saying. Whether that's true or not doesn't really matter though—this is an unexpected pleasure straight out of left field that I'm glad I neglected to hit pause upon and instead swallowed whole.

*For the unfamiliar, when I get music during the day I prep it to transfer to tankPHONE in an "albums to review" playlist each evening. I figure out the genre and standardize how the music displays as well as ensuring every album has the correct cover. Nerd stuff.

**There are a TON more influences as well, but I've already relied too heavily on "sounds like" terminology, so listen up and figure out your own connections to the rest.

Monday, May 27, 2019

What did I do during my extended holiday weekend?

Here's a shocking answer to the question posited above—not much!

Aside from daily trips to the gym and the store I stayed in for most of the weekend. I did venture out to watch a matinee of Brightburn, but aside from that it was a lot of reading and a lot of catching up on streaming movies and series.* I honestly had to motivation to hit the bar scene, or hunt out a BBQ, or be all that social at all. It was nice to spend a weekend in. Yet another outgrowth of my trend wherein booze is avoided and regular sleeping schedules and daily exercise dominate.

If you had one, how was your holiday weekend?

*So, about Brightburn. The movie is exactly what you'd expect and I enjoyed it, but I went in expecting what I got. It's premise is simple—what if Superman was a bad guy—and its gore is plentiful when it occurs. I can't see this movie making the cut when it comes to a mid-day "there's nothing else on cable" watch, but it was entertaining enough for a single  viewing to see the premise, thin as it may be, play out.

Friday, May 24, 2019

A condensed blast of Tin Machine.

It's common knowledge that I think Bowie's time in Tin Machine is seriously underrated. The first album from the band is celebrating its 30th anniversary this year (I still remember picking up the cassette from Sound Warehouse in high school the day it came out) so hopefully that means some of the material from the time might see a re-release?

My curiosity is piqued because the above compilation video is a new release by the Bowie camp. According to the YouTube description, “To promote the album the band, along with the director Julien Temple, filmed nine riotous performances of songs from the record at the downtown New York City rock club The Ritz, which have remained unreleased commercially until now.“

Now I’m not sure how much of that is true—I’ve definitely seen videos for a few of the songs, and whoever uploaded it couldn’t get their stuff together enough to notice that when they listed the songs included in the video description, they totally forgot to not “Under The God,” the clip that closes out this mini-compilation. So this could just be some social media associate looking for content to fill a possible anniversary and that’s all that it is.

Either way, this material definitely deserves the deluxe reissue treatment. And I know there’s an amazing Chicago show recording that exists out there that caught the band when they were on fire after that debut. So stuff is out there that deserves to see the light of day again (or for the first time).

Thursday, May 23, 2019

Roll a twenty-sided die of RAWK with Gygax!

Photo by Cliff Montgomery

Every once in a while a line from a band's PR-approved biography absolutely nails what to expect from them, and in the case of Gygax that line is, "drenched in influence from the likes of Dungeons & Dragons and Thin Lizzy." I admit I haven't dug into their lyrics enough to confirm the first half of that statement, but the fact the group is obviously named after Dungeons & Dragons creator Gary Gygax is enough for me.* And though Gygax characterizes themselves as metal, their music has plenty of heavy groove, swing and soul—along with some killer dueling guitar lines—that firmly supports the later half of that claim.

Gygax's third album, High Fantasy, is out later this June, and the band keeps things admirably tight, delivering 9 songs in just over 30 minutes. This is very much a wham-bam-thank-you-man effort that kicks you in the head from the get-go and leaves you flat on your ass by the final drum fill in the last seconds of the closing track. Through it all there's a melodic approach that makes even the heaviest moments slide down with a satiating sweetness.

Here's the only track they've released publicly thus far, but like I said I've heard the rest so you can click that li'l pre-order button in the player with the knowledge the rest is just as good.

*Since I wrote this initial draft I went back to listen more closely to the lyrics and yup, these dudes love them some swords and sorcery stuff.

Wednesday, May 22, 2019

2 parts Get Up Kids + 1 part Anniversary + 1 part Gadjits/Architects = 1 massive Radar State.

So let's untangle that faux equation of a headline and clarify that Radar State is made up of The Get Up Kids’ Matt Pryor and Jim Suptic, Josh Berwanger of The Anniversary (who I just recently teased out a new track from), and Adam Phillips of The Gadjits and  The Architects.

Now that that's out of the way.

I saw Radar State a few months ago at Cobra Lounge in a packed room and their show raucous fun. For some reason I didn't write about them back then, but their debut LP Strays recently snuck its way into regular rotation on my playlist, after a brief late-winter hibernation period. I suspect I was saving them for the summer months as far as sharing with you, dear reader, but since summer has still not decisively landed in Chicago I grow short in patience and feel the need to turn you onto the folks today; right now.

The sound is all energetic, classic riffle and sing-along prompts that you'll fall prey to halfway through any given chorus. It's the sound of four people who share enough of a common background to keep things cohesive, but are different enough that none of this sounds like a rehash of their own bands.

They've got no tour dates, but they did play Riot Fest in 2017 (and Riot Fest presented that Cobra Lounge gig I saw), so maybe they can be (or are in the midst of being or have have already been) coaxed back to Chicago by those folks.

Anyway, pretend the warmth of the summer grass is filling your nose as a light breeze plays with your hair and settle in for a good listen. Stream Strays below, and always buy yourself a copy if you like it. (If you wanna go straight to mainline sunshine, skip ahead to "Making Me Feel" (fronted by Berwanger? I'm not sure?). But if you do that, don't be a slouch—rewind to track 1 and play through the whole party.

UPDATE: When I wrote this post it was still dawn and it was chilly and pretty dreary outside. Since then it's turned into a beautiful, warm, and sunny day. I give this album full credit for influencing the weather and turning things around!

Tuesday, May 21, 2019

Finally catching up.

I swear I actually started writing up my favorite albums of 2018 post. It's not done yet, but at least I got around to it. At this rate The Wrens will have a new album before I end up recapping the 20 albums released last years that kept me afloat!

Thank you for your patience.

Monday, May 20, 2019

Someone I know directed another Juliana Hatfield video!

Photo by Stacee Sledge
I admit I haven’t seen Rachel Lichtman in quite a few years—she left Chicago for warmer, Western climes a while ago—but I’ve really been enjoying her experimental and delightfully quirky films on her Network 77 platform. We ran in the same social circles, but she was always part of the group that was a little above my pay grade when it came to the cool quotient, so it's no surprise she's still kicking out amazing work that is effortlessly, well, cool.

Earlier this year Lichtman received acclaim for her video treatment of "Lost Ship" off Juliana Hatfield's latest (and quite excellent) album Weird. It was dreamy and felt more like a feeling than a story, which suited that song well.

Lichtman and Hatfield collaborated on a second video from the album, and released it today. Whereas their first visual collaboration, "Lost Ship," was more a meditative and stately affair, the new video for "Broken Doll" take a far different route, mood-wise. From the opening introduction courtesy Pat Sansone (who has appeared in previous Network 77 shorts) you kinda have an idea that you're in for something a little (seemingly, but is it really?) lighter this time around. Check it out and you tell me what you think.

Oh yeah, Hatfield is on tour right now and hits Chicago for the outdoor Out Of Space event in Evanston on June 22. It's SUPER sold out—Hatfield is sharing the bill with Liz Phair—but maybe you can find tickets on the resale market if you're really lucky.

Still ramping up.

I’ve listened to more new music this month than I did January through April combined. I liken the feeling to getting your appetite back after you've been rundown with a long illness that killed your desire to consume anything at all because your body can't even muster the energy to process it. May has been a particularly introspective month for me personally, but it's also been the month that I changed my schedule up and instituted some major lifestyle changes that have taken hold in a number of healthy ways.

I'm still working on regaining my old vim and vigor when it comes to music and arts and cultural writing—the last 2 years took a particular emotional toll in that segment of my productivity. While my day-to-day 9-to-5 writing has remained strong I think that's because the section of my brain responsible for that has stayed sharp and focused no matter what my current personal situation has been. In some ways I've probably strengthened that section of output since it both allowed me to be creative and avoid inward thinking. Writing in the service of something outside of you can be really great when you're trying to avoid negative periods in your life.

Anyway, here's a peppy video about "bad vibrations" for you to enjoy off Josh Berwanger's forthcoming album Watching A Garden Die, out June 28. I'll share more on this closer to its release date, but it seemed just the right mixture of upbeat negativity for a Monday morning post built on the self-reflection of rebuilding positivity out of darker times.

Friday, May 17, 2019

The Soft Bulletin was released 20 years ago today…

The Flaming Lips in 1999 looking almost presentable!
Most of you probably didn't hear The Soft Bulletin the day it came out, since the May 17, 1999 release date was for the UK version (the US version, with a slightly different track listing, wasn't released until June 22). It took me a week to finally track down the import version after stalking every indie record shop in Chicago on a daily basis.*

I had heard The Flaming Lips debut their new direction a few months earlier at La Zona Rosa in Austin during SXSW. I believe it was only their second live set as a newly configured trio (they played two days earlier in Dallas as a test run) and they went on well after their supposed 1 a.m. start time. I remember being confused by Steven Drozd being set up behind a bank of keyboards and VCRs. I had heard Zaireeka, but was expecting the band to play as a power trio, full of Wayne Coyne guitar squalls, Michael Ivins thunder bass and Drozd's monster drumming.

That was obviously not what happened.

The trio played three of their older "guitar" songs, reconfigured to match the new aural direction the band was headed, instead relying on one Zaireeka cut and a slew of material no one in the room had ever heard, including "Race For The Prize" and "The Gash." The band was still kicking out psychedelic anthems, but there was a whole new dimension and tenderness that flowed through the new songs that BLEW ME AWAY.

The piece I turned in recapping that year's SXSW for The Chicago Flame isn't online, and one day I'll dig through my hard copy collection of my writing to find it, but I do remember no one in the office believed The Flaming Lips would sound the way I described them. At the time they were still only known to mainstream audiences as the "She Don't Use Jelly" band who appeared briefly on an episode of 90210. And my music friends who had been following the band along with me since the late '80s didn't believe it either.

Obviously The Soft Bulletin is now lauded as a modern classic, and that Austin show I saw bore the genesis of Coyne's turning to theater props to help convey the weight of the music since he no longer had a guitar to bash away at. Back then the DIY stage show aesthetic had always been a part of the band's DNA—their shows were visual spectacles even if it was merely through draping every piece of gear with Christmas lights and setting up a bunch of strobes they carried in themselves—but in The Soft Bulletin era they took the visual component up a notch. And since then have taken it up about 10,482 notches with varying degrees of success.

I'm older, so to me I'll always prefer the albums of the pre-Bulletin Lips when considering my favorite portion of their body of work—it's just the stuff I heard first that hardwired the band into my brain, I'm totally O.K. with folks who only love the era Bulletin kicked off—but I don't think they ever released anything in that period, or are likely to do so in any later period, that caught me so totally off guard and filled me with so much melancholic joy.

*This was back in the days when music wasn't immediately online for bands like the Flaming Lips, so all I had between the show and the album's release was the memory of the music (I hummed the melody of "Race For The Prize" on a daily basis between that March and May, for sure—it was all I had). Yes, Napster and its compatriots were certainly rising, but they were still depending on more mainstream releases pilfered from CD packaging plants and the like to fill their online offerings. The Flaming Lips didn't qualify as a band early pirates felt the need to obtain and disseminate online. Yet.

Thursday, May 16, 2019

Checking in.

Looking toward a brighter future!
One year ago today I was in the the hospital because I thought I was having a heart attack. It was the second time in less than a year I found myself in that same emergency room with the same fear that I was surely dying. The first time Mich was by my side, but this time I was totally alone. It turned out my ticker was fine, but my stress levels were through the roof, and they weren't going to come down any time soon. One year later I'm in a much better place, but my life is still far from perfect. Though I do keep a gratitude journal to remind me that good things do happen to me every day.

But I'm still filled with the deepest sadness that I lost her. In the month leading up to her deciding divorce was inevitable I honestly thought I'd be able to turn it around. To my (minor) credit at least I didn't harangue her to change her mind for months on end. I made a few attempts to dissuade her from ending the marriage, but for the most part I accepted her decision.

Maybe somewhere deep inside I was still in denial.* Maybe? I'm sure I was.

A little over a year ago was probably the toughest period of time in my life for a number of reasons I no longer feel the need to rehash. But I do remember it was right about now that the more public-facing evidence of the destruction of my life had started to ebb and I began to focus more on making things right with myself for the sake of my future. (The timing couldn't have been better since I was about to lose my job to a company merger the day after my heart attack scare. What timing!)

I've thinking about the future, and am struck that I am at the almost exact same place I was 20 years ago. 20 years from now I should be ostensibly retiring (though I don't see how that can possibly happen at this point). I thought I led a charmed life, and the fact of the matter is that I really did. And then I squandered it, blew things up, and threw myself all the way back to square one.

Therapy helped me identify a few milestones that led me to where I am now, and of course now that I see them clearly I wish I'd noted those warning signs and adjusted my decisions accordingly. The period between buying our house and the sudden closing of Chicagoist was probably the steepest downward slope that found me skiing out of control and straight into losing the best thing that had happened to me up until that point in my life. Other people probably saw the signs more clearly than me. I remember having a "wake" for Chicagoist at our house and I'm pretty sure most people in attendance could tell something was wrong with my relationship before I did. I was too wrapped up in my own selfishness to truly be able to self-evaluate, that's for sure.

So where am I now? I live across the street from the house we once owned, in an apartment that's too big for a single person—no single dude really needs 3 bedrooms and 2 bathrooms, but I just wanted to move and make it as simple as possible. But it is the right size for me to at least fit all my stuff into instead of renting a storage unit. I've settled down after months of heavy dating—and by that I mean many "getting to know you" dates; this isn't some sort of hook-up humblebrag. I have a nice freelance gig at an agency I really like, but of course would prefer the security of a permanent job. I've made a lot of changes regarding what I eat and drink, along with physical activity, and am enjoying feeling more clearheaded and energetic than I have in far too long. I'm grateful for the friends who stuck around, since I lost most of them during the course of the divorce. I don't blame them, but it still hurt.

There are still a few special people that bring flashes of color to my life when they're around—there's one person in particular that entered my life over the winter that makes me especially happy, and I hope I'm doing the same for her—but for the most part I still feel as if my world has largely turned grey when I'm alone. I suspect it will be for a while longer, and even though it seems like it will never return to the Technicolor glory I enjoyed not all that long ago, I'll keep holding on hoping for that more permanent saturation of color to manifest.

There's really no other choice.

*If we're going by the traditional 5 stages of grief I think it's worth noting I went through all of them except "anger." I'm definitely now in acceptance, but that doesn't mean I'm not still depressed by what happened. I don't think the sad part will ever totally go away.

Wednesday, May 15, 2019

American Football isn't playing games, they're playing moods.

Photo by Atiba Jefferson
I know it’s gonna sound blasphemous, but I was never a huge American Football fan. That's probably got more to do with timing than anything else since they seem to be fervently adored by folks just a few years younger than me, for the most part. Even though I wasn't following their every move, though, I did enjoy their music.

On their third self-titled album the vibe remains subdued, the lyrics are still introspective, and the song-craft is meticulous as ever. American Football isn't a group about letting loose their inhibitions, they draw inward to create miniature pockets of air intent on unraveling inner mysteries.

The album came out in March but I'm choosing to share this song today because it matches by mood as of late. I wouldn't say the lyrics wholly connect to my actual feelings—though there are snippets of truth in there—but the tone of the song as a whole does. Often I take music as more the whole sound of all its parts rather than dissecting vocal meaning, and this is certainly an instance where that inclination of mine of driving my fondness and finds this song popping u on my daily playlist more often than not.

American Football is on tour now, so if they come through your town you probably want to see them since they said on a recent podcast that this could be the end of the line for the band, at least as far as live shows go.

Tuesday, May 14, 2019

I'm still "Falling" for Dude York, that's for sure.

Photo by Eleanor Petry

Dude York's new album Falling isn't out until July 26, so you'll have to wait until closer to that date for my full review. What I will say is that the band continues to grow artistically at an astonishing rate.

I was a big fan of 2017's Sincerely, and their Happy In The Meantime EP, released earlier this year, proved the band was moving in a more refined direction. Don't take "refined" as meaning polite or any less urgent than their previous work. Instead the trio has continued to hone their approach, resulting in sharper songs and evolving melodies. The first single "Falling" sees the band working their strengths as Peter Richards' guitar zooms right along as Claire England's vocals twinkle and shine, all driven by Andrew Hall's pop-along drumming.

Stream the single below, and if you like it consider pre-ordering Falling since you'll immediately get a download of the tune to take with you on-the-go.

Monday, May 13, 2019

Get A Life, get a job, get a band.

Photo by Anthony Flores

Get A Life is the one-person band conceived by Chase DeMaster, and his debut This Band Could Be Your Life Or Debt is a lo-fi but engaging listen. Apparently the first song he wrote that ended up sparking the project as a whole was "Get A Job," whose refrain of "I'm going nowhere fast" gives a pretty good idea of the direction of both the song's interests and the album as a whole.

Yuuki Mathews of The Shins produced the album, though to my ears that is more in the interest of connecting a "name" to the release of an unknown indie rock endeavor. Maybe Matthews cleaned things up a bit? From the press release it seems like he may have played more of a mentor / encouraging role than anything else. Whatever—if it helps get the album to more ears then that's a good thing!

Anyway, here's the song that started it all. It looks like Get  Life just wrapped a short tour with TV Girl, but here's hoping they've got something in Chicago coming up since I'm really curious to see how these songs take shape on stage.

Friday, May 10, 2019

Oh, there's the big twist!

Watching a late night host prove to his writers that a bit isn't going to work has never been funnier.

[h/t Slate]

Thursday, May 09, 2019

Walking Bicycles return to take you on a dark ride.

Walking Bicycles disappeared from the Chicago scene for five years before returning with last month’s Chooch. In the world of independent rock and/or roll that is an eon and a half. So does this quartet that's been kicking around since 2004 warrant a heralded comeback?

Hell yes.

I was never a close follower of Walking Bicycles—in the Chicago scene I'm not even sure which clan they fell into back when they were active the first time around. I feel like I probably put them on a bill I did at some point in the mid-aughts when I was still actively booking and promoting shows, but they could have been added at the request of one of the other bands. It doesn't really matter. What does matter is that the band as it currently exists is worth your attention.

The music is dark, but it ain't depressing. It just feels like a heavy, warm, wet and woolen blanket is draping the sound and suffocating you with its weight. Singer Jocelyn Summers yelps and sneers throughout the claustrophobic maze of sound as the instruments fight against barriers and attempt to break free. Check out the wandering bass lines that bump up against the guitar drone and waves of drums on "Statutory Basement" for an obvious example of this, though it is a characteristic of the band's sound as a whole.

There is also something refreshingly simple in their approach; in this instance repetition isn't hypnotic as much as it's bracing. So open the hatch, climb down the ladder into Walking Bicycle's subterranean sound, and enjoy the band's unexpected return.

You can catch Walking Bicycles at The Hideout this Friday, May 10, so getcher tickets here.


Wednesday, May 08, 2019

Snowball ii returns with a short blast of new songs (and I want to hear more).

Jackson Wargo of Snowball ii
It's been two years since Snowball ii last released an album, so the arrival of the Eaton Super 10 EP is quite welcome. The Los Angeles-based group is led by  Jackson Wargo, who handles most of the instruments here with the exception of the drums and one of the bass parts. So, much like 2017's Flashes Of Quincy this is largely a one-person affair.

Eaton Super 10's five tracks fly by far too quickly. It's not that they're unusually short, most clock in between 3 to 4.5 minutes so that feels pretty average, but each time the EP ends I find myself wanting more. Opener "What Pressure?" starts off delicately, largely driven by sparse sparkling guitars interrupted by occasional crescendos of noise that mirror the narrator's inner journey. It's rumination that gives way to exclamation, and it's a slightly more nuanced approach than much of Snowball ii's previous work.

From the point on we're back in more familiar territory, with guitars courting melodies that sway back and forth between sweet and slinking atonality that never grows jarring. Listen to the dazed-n-confused guitars winding their way through "The Air In The Mean Time" and you'll see what I'm talking about.

"Lost in Juarez" flirts with shoe gaze tropes without ever tripping over them, before depositing us in the soft borderline psychedelia of "Spring Breaks Eternal," another sonic departure from the band's past. Don't get. Too cozy though, closer "Which Way To The Egress?" ensures you leave Snowball ii's latest collection in a wash of sonic fury.

Eaton Super 10 is currently available to stream or download for free (see below), although if you like what you hear it's always a good idea to throw a band a little dough through ye olde Bandcamp interface. Sadly it looks like the band never really gets far from California tour-wise, which is a real bummer because I bet these songs slay live.

Tuesday, May 07, 2019

Check out some sunny, buzzy, wistful pop from The Beths.

Photo by Mason Fairey

I think for the rest of the week I'm going to highlight songs or albums that are setting my mood on "summer."

I got a text from a friend yesterday asking if I'd heard of New Zealand band The Beths. I admitted I hadn't and then did a quick search through my email to discover I'd actually been sent their 2018 release Future Me Hates Me earlier this year ahead of a U.S. tour. And somehow I totally missed it, which has me kicking myself in the seat of my pants twice as hard since bands from New Zealand don't exactly hit Chicago all that regularly.*

In case you couldn't tell form the "kicking myself" aside, The Beths are pretty great, ergo my despair at missing their Chicago stop last March. Future Me Hates Me is an effortlessly buzzy collection whose music lifts you up even as the introspective lyrics pull you down. Singer Elizabeth Stokes has the kind of delivery that is world weary without being sad. Her delivery is understated and conversational, drifting along atop melodies I can only describe as melancholic rays of summer sunshine.

I shouldn't even say this since I tend to avoid the whole "so-and-so sounds like" or "RIYL" shorthand—outside of social media teasers where I'm trying to get someone to read a longer piece—but I'll just put this out there. Stokes' style of delivery is rather reminiscent of Courtney Barnett. I do not say this to diminish her talents or set them up for comparison. Instead I mention it because it's incredibly hard to make lyrics sophistication sound so effortless. So if that shorthand gets just a few more people to give the album a listen than I am happy to employ it.

*Luckily I, and quite possibly you, will get another chance to catch The Beths since they announced a summer U.S. tour. It hits Chicago's Logan Square Arts Festival on June 30 (my birthday!).

Monday, May 06, 2019

Let's get started again, set the clocks at the same time.

Clearly I have decided not to shutter the site. After getting feedback from friends and readers I think it's time to ramp things up again and return to your regularly scheduled weekday posting. A couple other changes in my life have me feeling back on track (I can NOT stress enough how resetting a regular sleep and gym schedule helps with mental acuity and physical energy) so I'm ready to get back at it. It's been a really challenging year-and-a-half, and I still have a lot to work through and put to rest, but I'm in a much happier place now. And that also means I feel creatively inspired, which is good for everyone.

So let's go!

[Title of this post courtesy Frisbie, as you can hear above.]

Friday, May 03, 2019

Just what I needed.

I previewed Partner's EP and their upcoming show at The Hideout this Sunday evening. If you need a pick-me-up like I do (or are just in the mood for some dang fine hooks) then you should check them out.

Monday, April 22, 2019

Should I shutter this?

After way more than a decade of regular posting clearly I've hit a wall.* It's obvious the last year had a profound effect on me as far as what I want to share. Do I keep this going or is it time to call it quits?

I think I want to keep the option open but I'm curious if y'all think it's just time to hang it up.


*Actually did a cursory look at posting in 2019 and realized I'd written more than I thought but still FAR less than my old "a post a weekday" cadence I kept up since 2003 until recently. So, question still stands.

Thursday, March 14, 2019

Tuesday, March 12, 2019

Post Child invites you into their "Simulation."

Post Child just released a new single, and it's far dreamier than their previous work. The Chicago band tends to specialize in large, fuzzed out guitar pop, but "Simulation" sees them in a far gauzier territory. I';m curious to see what Post Child's next album will sound like because they're obviously exploring new territory.

Check out the tune below or download it for free (or pay what you want). If you like it the band has a show at Emporium Chicago on April 14.

Friday, March 08, 2019

This is temporary.

Is it depression if you brought the misery onto yourself?

Maybe? I dunno.

What I do know is that I’ve been deeply sad for quite a while. I enjoy people’s company, and there are certainly individuals that bring me joy when we’re together, but it’s finally settled in that a little over a year ago I totally blew up my life and I’m still not sure how to recover.

It doesn’t help that 2018 brought me an epic run of bad luck that had nothing to do with my divorce, but as I’ve said before, perhaps I had outlived my charmed existence and karma came back at me with a vengeance.

I’m a better person for it now. But I’m also a much sadder person. I still try to maintain my signature blend of pragmatism and optimism, but I admit it’s gotten harder.

Don’t get me wrong—there are many good things in my life. My friends and my job are both great. When Pickle the Kitten meets me at the door every time I come home it truly brings me joy. My family is awesome. In the past year I’ve met a LOT of new and amazing people as well, and it’s helped me break my usual rhythm of going to the same places and doing the same things. I view all of these as positives.

Oh Jesus, I just re-read that first sentence and realized I sound just like Rob from High Fidelity. I guess some things never change. I’m leaving it in though.

I stole the title of this post from her blog, because she’s right. This is temporary, and she’s living proof of that. I need to follow her example, let go of the past, and embrace the good things to come in my future. Because good things do come.

Tuesday, March 05, 2019

It's an epidemic.

The person across the aisle from me on the train this morning was splayed out, snoozing across both seats they were on. At first I thought they were just being rude, until they moved their head on the backpack they were using as a pillow and a ton of empty little baggies and needles fell onto the floor. I just stared in shock. What do you do in a situation like that? I mean, the person looked pretty normal, and I had just assumed they were a student catching a quick nap before school.

Opioids are a huge problem and their abuse isn't being properly addressed. I've know addicts and was never sure what I could do to help. I bet you know addicts too, even if you're unaware. It's so depressing and I feel so useless.

Eventually a conductor came into our car and woke the person up. They told them to clean up all the stuff on the floor, and then left the person alone. I think that might've been the most disturbing thing. This is so common that public transit staff just treat it as a routine, mundane occurrence.

I hope that person is O.K.

Thursday, February 28, 2019

You're gonna love Love In October

Love In October continues the trend of Sweden kicking out sparkling and infectious music. The two brothers at the core of the group, Erik  and Kent Widman, relocated to the states in the early aughts, eventually settling in Chicago. Their sound settles firmly in the realm of power pop, and released a series of EPs between 2009 and 2016. With each release, the band’s sound got tighter and tighter, shinier and shinier.

With this year’s SHAPES, their debut proper full-length, some grit was thrown into the mix. The brothers, with the aid of guitarist Chris Limerinos, adjusted their sound to reflect the turmoil the world is currently going through. The result is a scrappier, though no less melodic, incarnation of Love In October. Kicking off with “Time Cop” the band mixes slashing guitars, swooshing synths and a driving beat that snags you from the first note. From there the album keeps up the intensity and only bringing you down into a less frenetic state of mind with the album closer “Wasting My Time.” The band also pulls off the amazing trick of sampling Donald Trump on “I Stopped Caring” without immediately triggering a spate of projectile vomiting.

The band plays a record release show at Chop Shop tonight. Since Love In October almost never plays live shows this is a rare chance to see them bring their music to life onstage. Check out SHAPES below and then you snag your tickets to the show here.

Tuesday, February 12, 2019

St. Vincent + Dua Lipa 4ever.

Somehow the Grammys did not completely suck this year. I know! How did that happen! And this duet between St. Vincent and Dua Lipa was easily the highlight. Snippets of this were all over Twitter yesterday, but St. Vincent was kind enough to post the whole video on her YouTube page so enjoy the steamy fire smoldering throughout this performance.

Wednesday, February 06, 2019

FINALLY! Some new music from Charly Bliss!

Photo Credit: Ebru Yildiz
Charly Bliss just announced their new album Young Enough is coming out in May! I've been a huge fan of the band since I first saw them (opening for Veruca Salt, I think?) so I am very excited. I actually saw 'em play a few weeks ago at the Tomorrow Never Knows fest and, as usual, they fully delivered. If you haven't seen them, you are missing out because they are one of my favorite live bands out there right now.

The group is previewing one track, "Capacity," from the album and it has me even more excited to hear every other track. It's got a great groove and is a little more downbeat and complex than their previous work. But I think it shows a band that's growing their sound in new and exciting directions, and who wouldn't get excited about that?!

Since they were just in town the obviously don't have any Chicago dates right now, but I betcha they'll be on one of the festival bills this summer, so keep an eye out.

Stream "Capacity' or watch its video below.

Tuesday, February 05, 2019

Celebrating new chapters.

Hey there. Hi there. How are you? I'm good, thanks for asking.

Well, as good as a guy can be in the middle of winter with almost no sunshine. But hey, I survived the polar vortex, so that's something!

Speaking of sunshine, my ex-wife is making plans to move to California. She told me about it a while ago, but I have learned over the past year not to talk about another person's business until they publicly break the news, even if it's to be celebratory. I mean, I already knew that, but in the initial months of my divorce it's clear I didn't always make the best decisions.

How do I feel about the move? There is certainly a part of me initially sad she's leaving. But I'm also happy for her. Her boyfriend is out there. Year round sunshine is out there. Activities I know have made her feel peace in her life are out there. She will be able to start a new chapter in her life out there. She'll be incredibly happy out there.

And in the end that's what counts, so that makes me happy.

Friday, January 25, 2019

We are the AI.

This short film by Keiichi Matsuda explores just how integrated we will become with tech in the future. It's not a good direction for the human race. The short posits that as we become more and more connected we seem to grow further apart. And in the end there's only one real solution to combat loneliness—the Merger.

Also note it's a 360ยบ video so feel free to change your vantage point and really get inside the story.

[h/t Mashable]

Wednesday, January 23, 2019

What the holy heck is a FLOPPOTRON?

Well, this is certainly one of the more interesting interpretations of Blur's "Song 2" I've ever heard. Let's hear it for old tech!

[h/t Boing Boing]

Tuesday, January 22, 2019

Cherry Glazerr gets shinier and poppier but keep their scuzzy heart intact.

Photo by Pamela Littky
With each album, Cherry Glazerr strips away more of the L.A. grit that abraded earlier releases and replaces it with another layer of refined pop. So what started as a caterwauling garage band now sounds like something you’d hear on more mainstream modern rock radio. This makes them a little less fun, IMHO, but I also respect their drive to grow and expand their sound. They could have easily stayed in the swim lane that appeases hipsters but instead are striving for something a little more universal.

All of that said, while the the songs on Stuffed & Ready (out February 1) feature a shinier studio sound, the lyrics are anything but crowd friendly as frontperson Clementine Creevy continues to give zero fucks about what might or might not offend you. I can also easily see these songs stripped down into something grittier and glammier when performed live. In other words the band may be aiming for car radios but they’ll still sound just as good at somewhere like Bottom Lounge when they play there on February 23.

Check out the mildly NSFW video below and see if you agree with my read on the band’s latest evolution in sound.

Monday, January 21, 2019

Not the plague, but not pleasant either.

The drink of champions?
It's been weeks and I just want to stop coughing.

I want my voice back.

I want to stop alternating between feeling feverish and feeling chills all over my body.

I want to be able to get a decent night's sleep.

I want to feel strong enough and rested enough to make it to the dang gym, even!

I know I'm not the only one going through this since my Facebook feed is filled with friends who also seem to be sick with similar symptoms that just won't let go. I can usually power through these things but last week I completely lost my voice, and that never happens to me, so it freaked me out. Yesterday I barely made it out of my bed and to the couch and just focused on doing nothing in hopes my body would repair itself. But here I am, chugging Theraflu at my desk all day long and nothing is improving.

I made a deal with myself that if this stays this bad for the next couple of days I'll go see the doctor. It's just so hard to make the time to do so! I'm so busy at work I feel guilty for leaving the office for an appointment. Again, I'm sure I'm not the only one that does this since most everyone I know are dedicated to what they do and loathe to take any time just for being sick.

Anyway, enough of my moaning and complaining. I;m jjust counting down the hours until I get home, wrap myself in a blanket n the couch, and warm up some chicken noodle soup. It pairs quite nicely with all the Theraflu.

Friday, January 18, 2019

Year in review, or maybe not.

This year has been, um, interesting. I dated a lot of of very cool, very smart people. Exes of mine were kind enough to take me in as I tried to sort though everything. Heck, the girl I lost my virginity to decades ago took me out for a delicious lunch. And, even via dating apps, I made lots of friends.

This is my way of saying I'm O.K.

It's been a rough year. But I survived it. You will too.

Tuesday, January 15, 2019

Take a ride to "Motor City Steel" with The Dandy Warhols.

The Dandy Warhols are releasing Why You So Crazy on January 25, and today they released the latest video from the new album. "Motor City Steel" is a jaunty little number that will have you humming along with it within the first few measures of the song. It also offers a nice hint of what to expect from the new album as a whole. I've heard it and think that fans of the band's work but recent and old will find this an enjoyable listen.

The band is touring behind the album and celebrating their 25th anniversary as a group this year, with a stop in Chicago at The Metro on May 11. Honestly, I can't believe they've stayed such a solid ensemble for over two decades—no offense, but a bunch of druggy musicians from Portland usually don't have great staying power—but here they are. I guess longevity is a healthy by-product of just doing things your own way and not giving one whit about what others think of you.

Friday, January 11, 2019

Best / worst Fig Dish cover of all time?

I don't know what rabbit hole Kip fell down in order to come across this, but holy cow.

From what I can tell this dude is an L.A. comedian/actor, but I suspect he's being totally sincere here. I wonder if this will lead to another Fig Dish reunion?

Tuesday, January 08, 2019

Meg Myers ain't interested in your parent's disco.

Meg Myers was unknown to me until I was listening to a recent All Songs Considered, and the track they played, "Tear Me To Pieces," really grabbed me. So I went to check out her album Take Me To The Disco and while it feels a little uneven, it's still pretty solid and worth your time.

I kind of forgot about it again—I've finally started to rev up and am listening to quite a bit of new music again after months where I slowed waaaay down—but when the news broke that St. Vincent is producing the new Sleater-Kinney album, Myers popped back to top of mind. Meyers is definitely rocking a St. Vincent vibe with her latest music, so I figured in honor of this most excellent new S-K music news, I'd share the track that initially grabbed my attention and sparked the realization Myers most certainly shares that Annie Clarke DNA.

Also note it appears Myers has had at least 5 full-length releases since 2013, so the fact I'm just now discovering her is entirely my fault. But if I hadn't heard of her, there's a chance you might not have either.

Friday, January 04, 2019

I made a funny.

Oh the joys of cartoon clip art. I used Strip Generator to make this. It's awfully glitchy but if you're looking for something goofy to play with, have at it! I obviously opted for the minimalist approach...

Wednesday, January 02, 2019

One last adventure in 2018.

So I did something crazy during the holiday break. On Christmas Eve, at the last second, I decided to buy a ticket and go to the Dominican Republic for a few days. My family wasn't doing a holiday gathering until the following week, and a friend of mine was already down there and offered to arrange somewhere for me to stay while I was in the air.

I missed my first flight when I got to the airport and discovered I had left my passport on my dresser. When I finally landed the cab driver was super late picking me up. My hotel room had an, um, interesting smell and a bathroom that looked straight of the set of one of the Saw movies. I got pretty sick one of the days I was there. On my final night an older Russian traveler who was in the shared suite area of my room decided it was a good idea to bring in a prostitute, and was so drunk he kept trying to open my door, not realizing his room was across the hallway.

Yet it was still one of the most relaxing, wonderful vacations I've had that involved beaches and sun.

In the past I'd usually stay at an all inclusive resort and spend all my time trying to down as much free food and booze as I could. This time my focus was on unplugging and relaxing. I spent one day just reading on the beach, more interested in drinking water than margaritas.

The neighborhood I was staying was more remote and less touristy, and I cared more about just walking around than taking in the nightlife.

I spent a day hanging out with spider monkeys in the mountains, and taking in the countryside during the 90-minute ride to and from the preserve. If you ever have a chance to take a similar excursion I highly recommend it. You haven't lived until you have a bunch of monkeys using you as a literal jungle gym. And later that evening I had some excellent chicken from a restaurant owned by a Serbian ex-pat.

Most of all I just re-centered. Since booze and clubs and partying were the furthest things from my mind—and I stayed mostly offline since I kept my phone in airplane mode while I was there—it was just an excellent few days of getting away from it all without also getting away from myself.