Here's a taste of what's to come tomorrow.
It's weird timing because it was just this weekend that I was really trying to wrap my head around a lot of the beliefs held by the conservatives that have been guiding the Republican party for the last decade and a half. 
I am also, for the fist time in a long time, "broke." I bought a new digital SLR to shoot Lollapalooza and never intended to keep it, but I fell in love with its performance so now I'm trying to hold onto it ... and if I can just make it to my next paycheck I'll be O.K., but I'm unused to having to actually watch what I spend. So if I don't make it to see your band between now and next Wednesday, that's the reason why. Luckily I'm DJing Friday at The Continental (flier to come!) so that should relive a lot of the pressure.
Someone asked me how long I had been writing about music and DJing, and almost choked on thier tongue in surprise when I answered. Most folks are fooled by my appearance into thinking I'm younger than I am, so when they find out how long I've actually been around and active in music I think it comes as a bit of a shock. Me? I feel I'm lucky to have been in the thick of things for so long. And, even though I've been around, I still get a thrill when I found out someone bought an album because of what I wrote, or got off their chair and shook it a bit because of something I played, or discovers and album that deeply touches them because of my recommendation. I even love it when someone lodges a well thought out opinion that's opposite mine, because it means that I've spurred them to think about something.
Last weekend everything came to the fore, and while I am an incredibly lucky person to be granted access to big festivals for free --- and then allowed to stand right in front of the bands for a few songs in order to photograph them -- there is a huge amount of work involved in that privilege. While everyone else is standing in the sun or strolling from stage to stage while sipping beers all day long, my time is spent literally sprinting between stages so I can catch as much of each band's set without missing an opportunity to see another. I had actually promised myself I'd try and cover this year's fests from the vantage of the average festival-goer, but old habits die hard, and I ended up recruiting other writers to tackle that vantage point.
Almost done with Lollapalooza. Today is the last day of coverage, and in retrospect I'm very, very pleased with what we did for the festival at Chicagoist. I didn't want day by day, band by band recaps to be the focus, since it seems everyone does that, so I recruited both music and non-music writers to tackle it more in terms of personal experience in order to relate what it's really like to be there. Almost every review you read tells what it's like to take in a show from a critic's perspective, which is why so many critics get it wrong. I wanted us to actually take you there, and I think the Chicagoist team did a fabulous job.

O.K., the drumming is coming along but I was a little upset with myself last night. We decided to do rough demos of a bunch of our new songs. So we run through them once, just to warm up, and I feel like I'm chugging along. Then the red record light comes on, and I start out song. Then I hit the bass drum one too many times and I suddenly think, "Crap! I screwed up the demo!" And now, suddenly, instead of just drumming my parts I'm thinking about drumming my parts. And each little mistake frustrates me more and more. And I'm sure all the recordings are ruined, all because of me.It's just, I mean, I ... I love Cheap Trick, and I have a real soft spot for Ministry, but I thought the idea of Cheap Trick covering Sgt. Pepper's Lonely Hearts Club Band in its entirety was a bad idea to begin with, so I can't see how this pairing can be anything more than a bad acid trip to rival the Stigwood production of the movie adaptation.AL JOURGENSEN TO JOIN CHEAP TRICK
AT THE HOLLYWOOD BOWL FOR THE BEATLES'
"SGT. PEPPER'S LONELY HEARTS CLUB BAND"
40TH ANNIVERSARY CELEBRATION
LOS ANGELES, CA - July 31, 2007 -- Ministry's AL JOURGENSEN has been confirmed to special guest with Cheap Trick when they perform The Beatles' "Sgt. Pepper's Lonely Hearts Club Band" from start to finish in celebration of the 40th anniversary of the landmark album. Jourgensen will join Cheap Trick onstage in Los Angeles at the Hollywood Bowl on August 10 and 11 to perform the Beatles' "I Want You (She's So Heavy)," considered to be one of the most complex songs ever recorded by the Fab Four.
At the specific request of Cheap Trick's Rick Nielson and Robin Zander, the Ministry guitarist/vocalist has re-arranged the song and made it "bent, in the Al Jourgensen way." Ministry/RevCo guitarist Sin Quirin will join Jourgensen and Cheap Trick onstage for the performance.
Another essential component to surviving the weekend is an appropriate playlist to keep me going when I'm rushing to and from the festival grounds during the day, or around to the after-shows at night. One band that is on that playlist this year is the Australian combo Magic Dirt. I was introduced to the group at just about the same time by two completely different sources, Paul in the U.S. and Amy in Australia, earlier this year. Their sound is firmly rooted in that early-'90s overdriven Alternative Seattle scene, only with sweeter female-led melodies similar to The Breeders. Paul actually put together a pretty terrific compilation of their earlier work for friends to listen to and I'm grateful for the intro or I would have totally missed the release of this year's EP, Beast.
The true joy of the show is James Nesbitt, who plays Tom Jackman a.k.a. Jeyll / Hyde. Through no larger costume change than a little hair gel he does a stunning job of creating two completely different characters sharing the same body. Watching his switch from repressed researcher into a gleeful explosion of no-holds barred psychotic Id is one of the most compelling parts of the shaow and I dare say that it's his personality and skill that drives the whole show.