Photo by Jen Squires |
I've got a really annoying habit of putting off listening to stuff that I'm excited about as I work my way through the music I get. But during the pandemic this strategy of delayed gratification means has been essential.*
Madisyn Whajne's debut album Save Our Hearts piqued my interest when it came through last month, and a quick aural skim to set expectations resulted in me going, "This is one to hold onto until you can really sink into it." Also, her press release name dropped The Primitives and Best Coast so, yeah, the only this album could upset me is if the writer of said press release was way off.***
The writer of that press release was not way off.
Whajne writes sprightly, zingy pop-rockers that definitely have their roots in the late '80s UK indie scene, and then adds crunchy fuzz over most of the tunes to amp up the volume, but never so much that it obscures the delicate craft laying underneath the noisier bits. In fact, while The Primitives comparison is apt, Whajne's approach really reminds me of The Darling Buds, another band from the late '80s with a similar sound.**** And the opening track on Save Our Hearts, "Summer Love," has proved an instant tonic when my moods dips too low. Which, these days, is a valuable than ever quality to enjoy.
Today is the day that you become as big a fan of Whajne's music as I am. Enjoy!
*This really is a pandemic-specific development in my workflow made in light of both my own mental health and the current state of the music scene. That state being it's not exactly pressing to write about the newest release the day it's released. There're no tours or other things that might require music journos to write against a specific deadline these days, and to be honest I am not complaining. Most big music sites have been regurgitating press releases for years, and with nothing going on, people are actually listening to the music again, and writing about it. It's exciting.**
**I have nothing against pulling relevant info or facts from a press release, especially these days when it seems most music PR folks are better writers than many music critics out there nowadays. Which, believe me, is super weird for a guy like me to say when I came up in the '90s and early aughts when PR peeps and critics were always in a state of tension when it came to each other's objectives.
***I couldn't resist. After making that much noise you had to know I was gonna pull something from a press release, just to see you smack your forehead (and hopefully chuckle).
****In the interest of full disclosure I should note that The Darling Buds' 1990 release Crawdaddy is one of the handful of albums I love from start to finish, always have with me in some fashion. Which only means I was set to love Save Our Hearts, though I'd be very shocked to discover Whajne was even aware of The Darling Buds. But I didn't want to leave it as just a lone "RIYL" kinda thing, you know?
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