Shhhhhhhh...

There are still tweaks being made in our sonic lab so the final files will sound a little different in a week or so, but if you want to sneak a listen at the soft launch of some new—yet long-gestating—music, go right ahead.

Consider this a little bonus for the folks that actually come here to read my writings instead of relying on social media to alert them of new stuff from me. I appreciate and value anyone who reads my ramblings, but people that come here on a regular basis to check in hold a very special place in my heart.

Did someone say, "Sloooooaaaaaaan?"

Did a quick little preview of Sloan's Chicago show tonight. Check it out! And if you live here? Get out and see the show!

Three quick personal picks for you on this lovely Bandcamp Friday!

Some super quick Bandcamp Friday picks. I had something a little more robust planned, but time got away from me, so this month I'm just highlighting a few of my friends' albums I think you should snag because a) they are all very, very good and b) of course I want all my friends to make a little extra money sans Bandcamp fees today!

Triple Fast Action

Triple Fast Action

I am so used to typing the band name as Triplefastaction (or, briefly, I would follow the "tripl3fastaction" styling) I almost did the same here, which maybe tells you how long I've been a fan of what I consider one of the most underrated acts to come out of Chicago in many, many years. Last year's Cattlemen Don't reissue gave fans a peek to what might be in the band's vaults, and this triple-vinyl or double-CD release throws those doors wide open with a stunning number of tracks largely pulled from the period prior to their initial signing to Capitol records. Some of this has been heard before, but the vast majority will be new even to old, old fans. ESSENTIAL.

Ryan Allen

The Last Rock Band

Ryan has put out a truly stunning amount of music over the past few years, and the pandemic only saw him grow even more prolific as he released various albums under numerous monikers in sometimes wildly differing styles. The Last Rock Band is a 100% solo effort with Ryan handling all the instruments, and is ambitious in its argument for including it in the pantheon of "concept albums" that actually work! Bopping from power-pop to classic rock to synth-pop (with each genre or sonic tweak fitting into the narrative of the album) there is a little here for everyone. And together I think there's a lot there to love for everyone! ALSO ESSENTIAL.

The Brontosaur

Reaver

I got to know Tony when I used to book his old band Firetrucs at The Note, and while he took a loooooong break from releasing music, his return as The Brontosaur was well worth the wait. Plumbing some of the lower sonic depths and grafting them onto heavy hooks with a slightly psychedelic bent (in the sense of a swirling sonic journey, and not lysergic effects), I'm not sure what you would call this. Me? I call it rawk, or excellent, or something you'll listen to on repeat because it will infect your ears and fight to stay lodged there as long as possible. I also HIGHLY recommend picking up the double-vinyl version if you can swing it; it's a heavy slab of wonderful. Guess what? ALSO ALSO ESSENTIAL.

"Anything" is a total Friday jam from Frankie Rose.

Photo by Esme Rogers Smith. 

I was just listening to Frankie Rose's Love As Projection ahead of its March 10 release* and gol-DANG-it if one track didn't leap out, grab my ears, squeeze my heart, and fill me with a sense of wistful wonder. 

Feel like spinning in place with your eyes closed and arms outstretched? That's the vibe of this compact pop ditty that reaches to be something bigger, and more meaningful. In short, a spot-on, perfect jam for this sunny (if rather brisk) Friday!

*It's solid all the way through and worth picking up the pre-sale, if that's your sort of thing.

Spring finally makes its way over the horizon.

For the first time in a long time I am optimistic about my own future. It's not that I was devoid of hope; more that I was unsure if I'd ever truly feel "happy" again. And even when I felt like things were on an upswing, I'd rarely write about it for fear that acknowledging anything positive would immediately cause that thing to get crushed by some new development.

I know it's maddening to hear this, but it again appears the only way out of difficult times is to just get through them, and the healing will follow, but you must accept it will happen at a pace you can never dictate or fully control. 

But you will benefit mightily by just letting yourself be open to the journey it takes to let it happen, instead of trying to force it to happen. 

Eventually, it will work out. Things will be different, and sometimes even scary, but it will end up putting you exactly where you're supposed to be.

Way down, now? This'll pick you right back up!

Y'know, I bought Goodbye Jumbo on cassette when it came out, and fell hard for the album, but I don't think I've ever seen this video before today. Incroyable mais vrai!

[Credz for this particular discovery due to Marc] 

Back to basics on the road? That's the way to go!

I took a road trip last weekend in a car that only had a CD player. No auxiliary inputs. No tape deck. Not even a 6-disc CD changer. Just a single CD player.

I highly recommend it.

I had forgotten about the whole practice of “choosing CDs for the car” and how that usually starts with a huge pile of stuff I need to bring “just in case” before you realize that in this instance* less truly is more. And, in the end, the return trip was almost entirely soundtracked by a used CD purchase I made, so I could've traveled even lighter.

At the start of the trip I found it initially difficult to make a selection, or even offer an opinion on what to listen to—so used am I to being blinded by an endless list of digital possibilities that often leaves us unable to make a choice at all when it comes to modern listening habits—until I realized that the small selection of CDs we had was more than ample when it came to offering options that would be enjoyed by both people traveling in that car.

I'm so glad I just brought a few discs and didn't default to filling up an old CD book with a blinding number of options!

*And, really, most instances.

Looking for some Bandcamp Friday recommendations? I've got you covered!

Hey y'all! It's Bandcamp Friday! And in an effort to clear the backlog of albums I keep meaning to write about, here's a bunch of music available through that platform. I've included a wide variety of acts, so I hope there's sometime in here for everyone. Sometimes it's hard for me to know, since my own listing is, erm, a bit more voluminous than the average fan's might be. But every single one of these is worth your time, and if you like any of 'em, remember that all proceeds from sales through Bandcamp today go 100% to the artists!

The Freqs
Poachers

This trio delivers a solid EP of nice, solid, hard-charging—and somewhat tuneful—stoner stylee RAWK. This took me back to the sounds of Double Door circa the early aughts.

Fucked Up
One Day

All the guitar tracks were recorded in one day, and then the band built over that. It ended up being a terrific approach because it resulted in their best "punk" guitar-based album in years. So while it's kind of a "step back" to a more familiar sound, I'm glad they revisited it before they move back onto more epic, experimental fare.

King Tuff
Smalltown Stardust

On their latest album, King Tuff's psych-pop walks the line between the rock and a more sensitive glam vocal style and delivery. This has been a nice breath of fresh air during the harsher winter days, for me.

Megadose
Heating Up

This collection of numbers is definitely fuzzy, but not particularly heavy; adopting one of my preferred approaches to power-pop stuff for the most part. And while most power-pop lyrics tend to fly out of my head, I found Megadose traffics in a shaper vein of words that actually stuck around my brain after the last chord died out. I dig it!

M(h)aol
Attachement Styles

Really cool, super angular indie-guitar-minded aggressive backing tracks, with vox that flit between the seams of sound. The band's energy is undeniable, and singer Róisín Nic Ghearailt delivers her thoughts with an emotion I could palpably feel. Which is unusual for me, these days. 

REXORIA
Imperial Dawn

I've noticed during the pandemic that the one genre that never slowed down high-octane output was the realm of metal. This indicates to me that the entire metal ecosystem grew so self-supporting so long ago it managed to bypass many of the issues that plagued most "mainstream" (and that includes indie these days) music. This slab of power metal is just plain fun, so I think anyone will dig it, regardless of how you feel about the genre in general.

We Are Scientists
LOBES

Hot damn, for the second album in a row, they out-Killers The Killers again. I play this album a LOT. You will too. Fun fact: one of my first interviews for a local, long defunct, arts magazine was with one of the group's early drummers, They, and I, have come a long way since then.

Fireworks
Higher Lonely Power

This last one is free or pay-what-you-want on Bandcamp, but after listening to it, you'll want to throw a coupe bucks the band's way. I picked it up on via a recommendation on a podcast, otherwise I would've missed it entirely! And while it starts as pretty unilluminating hardcore meets emo stuff on the first track, don't let that fool you.After that Fireworks jumps around all over the place! Intriguing to say the least Apparently this has long been in the works, so maybe that explains the variety of approaches? Whatever the reason, I'm glad it resulted in this rollercoaster ride of an LP.

Gettin' groovy with Good Bison.

Good Bison—centered around the musical vision of one Pablo Alvarez—has a new EP coming out later this month and its five songs hop wildly amongst genres but are all rooted in rhythms that creep up around you until you find yourself moving in tandem with the inescapable charm of their internal beat. 

"Better Lies" is the tightest encapsulation of the band's approach to what most would consider pop, so I'm happy to see they just released a video for the tune. If you dig this, you will probably like the entire Ghost on Mulholland EP, so head to Good Bison's website to pre-save a copy to spin on February 21.

The return of LOTEC!

LOTEC (f.k.a. Land Of The El Caminos) has returned with the most excellent Squares, and we premiered the second single from that new album on Third Coast Review yesterday. 

Read my words, listen to the tune, and pick up the album if you dig it!

A Friday jam from a classic band.

Photo by Anna Crolla

The new Belle & Sebastian album threw me at first; the first half is rooted in their more "classic indie-twee" sound, leading me to worry the group was retreating to safer ground after years of pushing their sound into shinier and more expansive terrain. But as the second half kicked in, the more ebullient pop numbers took over and I enjoyed the feeling of taking a sonic mini-tour through the band's history that the album conveys (to me).

But this was the moment I felt like I was levitating as a song played, so I'm sharing my favorite track from the album as a taste to whet your appetite. Maybe it's my current mindset putting a thumb on the scales, but a song about the delirious confusion of a blossoming love* is just the glittering jam to hit me right in the heart-feels.

*Though it could just as easily be a rumination on a long-standing relationship as well, which makes rhe tune even stronger in my estimation.

The Features release one from the vaults. Literally!

In the early aughts I saw The Features a bunch*, but at the time didn’t even know they’d already recorded TWO full albums that hadn’t been released. One of those albums, pulled from a bunch 1999 sessions just popped up on Bandcamp this month.** And listening to it was a real trip back in time for me, since it captured the sound of the band that kept me coming back to see them time after time. And whenever I saw them I would bug them about when they would finally release a full-length album!***

Basically, The Mahaffey Sessions 1999 captures the band as I remember them best from my own live introduction to the group, and there are songs on here that never appeared anywhere else****, but I definitely remember wishing I had them to DJ with at the time. Two decades later I finally have the tunes, and even if I haven't DJed in years, quite a few of these will definitely make their way into a few solo apartment dance parties in the coming months. 

Dig in!

*I can't be certain, but it was probably Double Door that hosted the first show of theirs that I saw. And though my memory is fuzzy, it feels like they played Double Door a few times in quick succession before branching out to other venues in Chicago. I think.

**While I have never been  fan of mainstream bands who constantly recycle and re-release old albums everyone already own, I am finding Bandcamp to be invaluable when it comes to older bands who never got the due they deserved finally getting their music heard! And while The Features did garner some acclaim, this earlier recording really captures why they garnered label interest in the first place.

***Not knowing, um, it might have been sore spot for them at the time. Sorry! 

****When "33⅓" came on I literally screamed in joyous surprise, not having heard the tune in forEVer.

New year, same new you!

Usually I would view the second half of December like most do, as a time when things slow down and you reflect on the previous year. But after the last couple of years, that kind of reflection feels gratuitous to me. I don't know about you, but I've spent well over three years reflecting and don't really need that specific window of time for that particular exercise any more.

Speaking of, who has "more exercise" on their list of resolutions? All of you? That's cool, me too.*

Anyway, yeah; I have spent so much time reflecting, I'm no longer always certain what's an actionable discovery and what's a clarification of a particular lens of recall that needs to be acknowledged or filed away as a new discovery but not acted upon. So I spend a lot of time mulling. A lot of mulling around here.

But we all do mark time, and we still view the beginning of another year as a chance at "starting over" all over again, and I've come to realize that's not a flaw in our thinking, but a survival mechanism. From my personal experience, even though any time is a great time to start a positive habit our new behavior, it's much harder to start something at zero without something else, some kind of event, to peg it to.

So I guess this is all a really roundabout way of saying that any time is a good time to make a resolution that positively impacts your life (and/or the world!), and if that time happens to fall at the beginning of a new year, then so be it!

*Despite my more mature stance on resolutions in general, I still retain the right to make "resolutionary" jokes ... if I ever make it back to the gym, that is.

The Lemonheads came to Chicago...

Photo by Barry Brecheisen

My review of the recent The Lemonheads and Juliana Hatfield show at Metro is up at Third Coast Review for your reading pleasure!

Everything old is new again, and I see blue skies ahead.

I have noticed a number of what I would consider "old school bloggers" returning to semi-regular posting after, for some, years of leaving those domains untended. My own little website still gets a healthy amount of traffic, which means people actually come here intentionally to read what I write. And I have long maintained I'd rather have a smaller audience that seeks out my work, than a massive audience that only accesses it as bits and bobs of information disseminated through various social media platforms. As those platforms degrade and buckle under their own weight, I believe people are thirsting for content that feels personal and well-thought out, as they grow ever wearier of content that feels more and more diffuse as it becomes less relatable since most social media platforms have evolved to perform best as outrage machines.* 

So bring back the old-timey blogs! Some of us never left, and everyone is welcome!

*While I have always viewed things like Substack and Medium as "nü-blogging," those outlets still seem to attract writers who think that 1000 words of content with very little meat that is designed for clicks instead of close reads, counts as a post; so many of those "bloggers" have revealed themselves to simply be pretty boring, in my humble opinion.

Bang Camaro returns with "Too Fast To Fall In Love!"

Bang Camaro is back, baby! The group popped onto the scene in the mid-aughts, pairing hard rock guitars threaded with hooks galore, with thundering drums and bass, and a multi-person choir of participants providing the vocals for each song. At the time, I wondered if it was just a joke gone too far, but after seeing the group live at Double Door in 2008 I realized they were the real deal: passionate about the music without even a hint of irony hiding in their approach.

The band disbanded (went on hiatus?) years ago, but when James Gunn used one of Bang Camaro's songs in his Peacemaker series, the group was inspired to quietly reconnect and start recording new music. And this week, the first fruits of their new labor became available, the hard-charging and anthemic "Too Fast To Fall In Love."

The band is hard at work on more new songs, and I'm told we should all keep an eye ion them in the coming months for news about their future endeavors, but since today is Bandcamp Friday, it's the perfect time to pick up the track for yourself, to tide you over as we all wait.

Rockin' My Turntable in 2021.

I don't think I ever waited this long in my life to post a "best of" list for a previous year, so clearly this is more for archival purposes than trying to hype any "recent" releases.* At the end of last year, I created a massive list of all the albums that either scored a 5 or higher ... and then never got around to winnowing it down to 20 albums, through there were a few attempts to narrow the list.

So this time around it was interesting to see a) just how many albums I'd considered had completely exited my memory and b) realize just how different my listening habits are than average (and most not-so-average) people. I mean, who listens to over 700 new releases in a year on top of whatever they decide to revisit form the recent or distant past between all that new music?! And 2021 was a lighter year for me!**

I've been a music critic on and off for over 30 years now, and have been at it pretty steadily for the last 20 of those years, but obviously the last few years threw the brakes pretty heavily on my output. And now I'm beginning to wonder if my music consumption habits even make sense anymore. Why listen to all these new releases when I'm no longer responsible for overseeing the arts and entertainment section of a prominent media outlet? These days I write either for myself or whenever I see something that would fit with Third Coast Review, so I'm no longer actually under any kind of pressure to listen to all this stuff or produce content about it. Y'know?

Yet here I am, still looking for something new every single day of the year. Maybe it would be easier if I was a specialist instead of a generalist, but I find more satisfaction in understanding the bigger picture than burrowing deep on a single niche activity, even if I am aware of and dig into those niche activities when it makes sense. Or if it just piques my personal curiosity! But I've always wanted to be a voice just about any listener of music could trust, so I've kept the parameters very, very, very wide when it comes to what I listen to and what I write about.

So here you go, the 20+ albums released in 2021 that I still think about and play almost a year later. It's less a wet snapshot of that year than it is a clearer photo of what things looked like after the emulsion finally dried and set in place. These are the albums whose presence remains vibrant and special in my little brain.

__________

Neal Francis

In Plain Sight

Neal Francis had been on the Chicago scene for quite a while, but since his segment was more jam and funk, I only became aware of him last year when a friend recommended In Plain Sight, an album rooted in '70s sounds, burnished by Dave Fridmann's distinctive production, and filled with hooks that won't leave your brain.

The Rare Occasions

Big Whoop

This was one of those blind listens that had me hooked in the first minute and only got better on repeated listens. New-wave power-pop for the new millennium? Yes, please!

Pony

TV Baby

This gets filed under big crunchy guitars with vocals that cut through the fray. It's also the kind of album I would have died for in the '90s. But hey, better late than never for my ears, right?

Superstate

Superstate

Graham Coxon's soundtrack to his graphic novel functions as a Coxon solo album, and pulls from both the guitar rockin' and club dancin' territories in his own musical conversation. I dare say it's even catchier and poppier than any recent releases by the more famous frontman he shares a band with from time to time.

Fur

When You Walk Away

Liily

TV or Not TV

More big guitar brash pop that locks in and won't let you go. When I met a Supergrass fan asking for new music to listen to today, these were the albums I'd suggest over the last year.

Sault

Nine

The less I know about Sault the greater my enjoyment of their mysterious and often sudden, unannounced releases. If you dig digging through the soul and funk dusties at your local record store, this is essential modern listening.

Hushdrops

The Static

I could write an entire essay on this album, and one day I might, but it is first and foremost one of the most powerful albums Hushdrops has released over their decades-long career. It is also the most tragic, sicne it features some of the final recordings including drummer Joe Camarillo before his tragic passing took his talents away from us far, far too soon.

Dazy

Maximumblastsuperloud: The First 24 Songs

This was a late-December release in 2021, and here we are in November of 2022, and I still dig it. So this one can't be accused of recency bias! But I could be accused as having a bias when I'm a sucker for massive walls of guitars that crush your ears even as the sunny and sweet melodies buried within the tornadoes of sound are some of the catchiest stuff you'll hear this, or last, year.

Daniel Romano

Cobra Poems

I got lost in the rabbit hole that was the astounding number of wildly varied releases Daniel Romano has put out over the last few years. But Cobra Poems was masterpiece of that productive era. Romano and his collaborators create the sort of organic good-time rock that begs to be played in tight quarters for a sweaty, adoring audience. In a year marked by almost no live shows I felt were safe enough to attend, this was the album I'd thrown on when I wanted to pretend I was hearing a band at a most excellent house party.

Cheekface

Emphatically No.

Sharp, taut songs. Incisive, deliciously witty speak-sung lyrics. And yes, I did see them play in 2021, so can confirm they are a highly entertaining live band, though I was half-expecting them to be revealed as simply a sharply funny studio band. This was my go-to all through 2021 (and 2022!) whenever I just needed a smart mood-lightener.

Tamar Berk

the restless dreams of youth

Old Joy

Trash Your Life

To me, these are both Chicago acts—despite Tamar Berk moving to the West Coast years ago—that reveal a lot about different generations of musicians in our little scene. Berk and Old Joy's Alex Reindl both craft deeply personal music that also just happens to explode with musical energy, Which is to say, they both rock. So when I say these albums reveal a lot about the different generations, I think it's revealing how much they have in common, and not any vast differences.

Nous Alpha

A Walk In the Woods

Ohr

Walk In The Light

Both of these albums are largely instrumental, lightly psychedelic, wholly engrossing, and absolutely dependable metal escapes to another dimension on days this world can seem too dark and/or heavy. The less said te better, as I think these only work if you make your own connections to the music. My words will only complicate that process. I know, weird for a music critic to say, but sometimes less context leads to greater appreciation. See also: Sault.

Danko Jones

Power Trio

The first time I saw Danko Jones play was the late '90s. And I thought he was ridiculously loud and ridiculously fun. Over two decades later, Jones and crew are still managing to mine 3-chord combinations and turn them into deliriously dependable party rockers. 

Bo Burnham

Inside (The Songs)

I played this album a LOT. Clearly it was a coping mechanism. But it's also really quite good. So some may want to file this under "comedy" but it is 100% a pop album.

Naked Raygun

Over the Overlords

Liz Phair

Soberish

Two Chicago legends returned in 2021. Naked Raygun released an amazing album no one would've expected from a band after decades of no new LPs, but holy heck this is an incredibly solid, and enjoyable album! And Liz Phair never stopped releasing music, and every couple of years we get a "she's returning to her roots" press cycle that never quite pans out, but this time around she came through. However in this case, "returning to her roots" just meant "recording what I want to and saying it how I want to, again." 

Turnstile

Glow On

Look, we all know this band is basically Jane's Addiction plus 311, but it's the best bits of both, so this ended up being an incredibly enjoyable, if unexpected, album last year. Obviously this last year has shown I am not in the minority when it comes to liking what this band is laying down.

Saint Motel

The Original Motion Picture Soundtrack

Dayglow

Harmony House

These are both rock albums from pop bands making albums that sound like rock albums. Wait, that's confusing. These are both bands that sound like they go into the studio to write their albums, meaning the music is at the forefront and individual band member identities are completely obscured. In one way, these both sound like artifacts from a different time, when a band like INXS was a rock band. These days y'all are stuck with Maroon 5 as a "rock" band. So these groups prove all is not lost on that front, quite yet. 

Psymon Spine

Charismatic Megafauna

NRCSSST

NRCSSST

These are both great albums. And I've bought both on vinyl.But I'd be lying if I didn't admit the greatest draw for both of these lies in the simple fact they're carrying LCDS- and DFA-influenced sounds into a new era—minus the baggage, so it's twice as fun. Pickle the Kitten is not a fan of either, since their beats mean a kitty dance party with dad is soon approaching.

>

Pearl Charles

Magic Mirror

The spirit of Laurel Canyon called and Pearl Charles answered. And then Charles messed with the formula—even throwing in a dash of ABBA sparkliness to keep everyone on their toes—and shook the Canyon-sound cobwebs off in favor of a more glistening, '00s approach.

Magdalena Bay

Mercurial World

I debated removing this entry after their "deluxe reissue" of this album came out this year, and managed to actually hurt the legacy of the album in my own head. But the original release was super fun, and buoyed me through some dark days, so once I remembered that (and that I was being a bit of a complainer) I realized that as a singular piece, this LP still slaps.****

BONUS ENTRY!!!

Bull

Discover Effortless Living

It's less impressive this year when the band Pavement is actively touring, but when I heard this last year it was the first thing in YEARS that I'd heard that even came close to the classic Pavement grooves of yore. 

*OK, last year I waited until September. I swear I'll get the 2022 list up earlier. How could I not?!

**I'm already past the 740 albums mark this year and it's still October, if that gives you an idea.***

***Actually this draft was started in October. As of today, when I finished and published this, it's around 800 albums. But things slow down at the end of the year—thank gawd—as reissues, greatest hits, box sets, and holiday music clog the ol' inbox.

****I think that may be the first time I've used the terms "slaps" in a piece? Which means it is definitely outdated by now.

Thankful.

It's been a while, huh? I've been busy, how about you? Busy in a good way, don't worry.

In the U.S., tomorrow is Thanksgiving, and I do have a lot to be thankful for. I may still be pretty isolated, but I've grown closer with the small handful of people I talk with regularly. And I've even made it out and met a few new people! After a long hiatus I started dating again, so that's been interesting. The biggest difference from the last time I was "out there?" At my age I'm discovering that when there are no immediate sparks but you both still find each other interesting when you meet in person, non-romantic but rewarding friendships can actually develop from a simple coffee date!

So that's been nice.

But mostly it's been work, walks, work, and quality time with Pickle the Kitten. Oh! And Andor! But shhhhh....I haven't had a chance to watch the season finale yet, so no spoilers!

Ne'er-do-well could justifiably call themselves Always-do-awesome on 'Fun Days.'

Photo by TLC

While I encourage you to dig deep and follow your interests as you scan Bandcamp for purchases this Bandcamp Friday, I am throwing my own personal recommendation behind a single release, the debut EP from one-man-band Ne’er-do-well, Fun Days.

This EP has been continuously replayed since I received it, partially because I'm convinced there's some sort of mystery at the core to figure out, but mostly because it's just stunning in its execution.

And this EP is all over the place! The songs go from Midwestern rawk, to glam metal, to full-on emo, back to Midwestern brawn, and all the things in-between. I can already hear you saying, "So what?" But the songs LITERALLY completely change genres from tune to tune. As in, it sounds like 5 genuine bands were put together to create the 5 songs on this EP, yet from what I can tell, every single sound is created by a single person, Bryan Rolli.

I can't figure out if Rolli's showing off his ridiculously accomplished range and internalized grasp of multiple genres, or if he just writes in whatever genre fits the song in his head. And the EP plays like an incredibly condensed concept album, but after trying to pin down exactly what the concept was—at one point I was trying to match the songs to the 5 stages of grief, on the off chance that would help unlock some deeper meaning—I've comfortably settled into simply enjoying the album even as I sit in awe at Rolli's flexibility and authenticity.

If Rolli was on stage, I'd imagine him wearing a sleeveless black t-shirt with silver piping, a flannel tied around his waist over blinding neon multi-colored spandex flowing down his legs and into a pair of weathered combat boots, all topped off with a haircut featuring bangs that fall perfectly over one eye or the other as he shakes his head to and fro, singing energetically as he slashes his guitar strings. 

However you imagine the artist in your own mind's eye, or whatever your personal taste in music might be, this is an EP I think will floor just about anyone who hears it, once they realize all these different, fully realized worlds of sound flow forth from a single person.

Getting ahead of ye olde year end list.

I'm testing out a new process right now...

This year I've tried to get a little ahead of the game and have been randomly selecting albums in my pretty long "best of 2022 consideration list" to listen to and see if they are still in the running. If one gets played and is no longer a clear contender I'm deleting it in the hope of culling the list down to a manageable size ahead of time instead of swimming in a sea of 100+ releases and trying to figure it all out at the same time. 

So far, so good! And it will hopefully help me avoid the situation I find myself in right now ... which is rushing to get my best of 2021 list up before the end of 2022!

Actually the 2021 list is made, and most of the formatting and embeds are done, so I'm hoping to get that incredibly delinquent list up this week.